Welcome to the Watercolor Gallery.
May's a week away and the Tattoo shop is busy,
it's a good thing.
The winter vacations were awesome, loved our time with our friends
in Puerto Escondido. We've met the most unique and loveable people while traveling - feel very fortunate
to have them in our lives. The picture of me here - it's watching a sunset from the roof of Bungalows Maguey.
Check out the new ink I've been applying or come get your own at Trick Shot Tattoo.
As a young child I was easily entertained with pencil and paper. My favorite
subject in school was Art and in Jr. High I sold my first painting to my Art teacher. During my long career as an Electrical
Designer, the words of that Jr. High Art teacher were never far from my mind, “Never waste your talent”.
In 1996 I picked up the brush again and laid watercolor pigment to paper.
Unfortunately I only found enough time to create two or three paintings a year. In the summer of 2002, after the untimely
death of my older brother, my wife encouraged me to paint full time. Joseph Campbell said “Follow your bliss”
and so I am.
My techniques have come from hours of experimentation, books and occasional workshops by established
artists, Nancy Wylie, Chuck Danford and Margaret Barge.
I enjoy meeting people in the festival environment, taking
the time to chat about what inspires me. I paint from memory – pulling together the different elements that make up
the landscape. I want people to associate my paintings to somewhere they have been or would like to go.
It has
been said that my paintings have a serene tranquil quality. As a native of Colorado I have spent much time in the outdoors
soaking up the beauty of the plants, trees and magical vistas. I strive to detail the unique personalities of each aspen tree,
wildflower and blade of grass.
For fresh and intense colors I allow the pigment to mix directly on the paper.
Masking Fluid is used to allow the uninterrupted flow of washes and to preserve pure colors once applied while building up
depth and tonal quality. Final details are applied in a dry brush fashion, often times, millions of brush strokes are required
for a single aspen tree.
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